"Wendy Prober tackled the work with passion and flair.”
Los Angeles Times
"…intense kinetic energy…pianist and group co-founder Wendy Prober unleashed a thrilling mastery of the Brahms spirit. Her many glories included an intense first movement entrance, after being held at bay by the strings…[she] showed constant balance and texture blend, and virtuosic response to chameleon mood changes.”
The Commercial Appeal (Memphis)
“Prober possesses technical and expressive security in equal measure…superb ensemble precision and stylistic authenticity…Prober, however, owns the grand line and the strength to power it…the piano emerged as consistent protagonist.”
Los Angeles Times
“Energetic and exciting...I can’t imagine a more committed or convincing performance."
American Record Guide (review of Maria Newman's Maskil for Piano)
“Pianist Wendy Prober performed it with delicate precision”
Los Angeles Times
"...your playing was as beautiful, spirited and rich in feeling as I could imagine."
Charles Fox, Grammy and Emmy award winning composer
“…the driving, abrupt, explosive approach of the pianist were equally suited to Milhaud’s characteristic style..."
San Diego Reader
“… a wild and impassioned performance…a Dionysian fervor and a fiery daredevil spirit that sacrifices nothing in technical skill or nuance…virtuosic, subtle and daring…Prober’s playing is equally as deft and tantric.”
Marina Del Rey Argonaut
“…an arresting performance…[Sebastian] Toettcher and Prober offered a supple yet gripping reading of “Praise to the Eternity of Jesus.”…Together they balanced each other comfortably, and made unified rhythmical inflections. Overall, they wisely allowed the music to make its own rapturous statements without needless additions of personal nuances and histrionics. “
Los Angeles Times
“Pianist Prober also deserves accolades for her restraint throughout the concert and for her fiery virtuosity when needed.”
The Herald Journal/Cache (Utah)
"A radiant performance..."
Latin American Music Review
Photo Credit : Juan Tallo
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